The Shepherds
Carly Sheppard and Alisdair Macindoe
World Premiere
Presented by Arts House and RISING
Friday 5 – Sunday 7 June 2026
Fri, 8pm
Sat, 2pm & 8pm
Sun, 2pm & 6pm
70 mins, no interval
Post-show artist talk for all ticket holders
Sat 6 June, 2pm show
Auslan Interpreting
Sun 7 June, 2pm
Available on request – book by Thu 28 May
Tactile Tour & Audio Described
Sun 7 June, 2pm
Available on request – book by Thu 28 May
Tactile Tour 1pm
Tickets
Standard $49
Reduced $44
BLAKTIX $25
Companion Card Free
A small transaction fee will be charged per order.
Tickets on sale Mon 16 March, 12pm AEDT
Warnings
Suitable for audiences 15+
This performance of The Shepherds explores themes of colonial violence against Australia’s First Nations people. It contains adult themes, violence, triggering content, coarse language, smoke effects and haze, high pitched frequencies, loud music, very loud sound effects, sudden loud noises, flashing lights, abrupt lighting changes including colours and intensity, and black out.
An Access Guide will be available for download prior to the event.
Arts House
North Melbourne Town Hall
521 Queensberry St
North Melbourne
A dark and comedic dance work starring two lost sheep in a slaughter paddock, out to remake Australian mythmaking.
Carly Sheppard and Alisdair Macindoe are intrepid dance makers with seven Green Room awards and a Helpmann between them. In this collaborative piece, they’re on their most transformative journey yet. Both lonely livestock, they’re grazing in a country that’s riding on a sheep’s back (that is trampling the land on the way through), on a quest to find the shepherd who sealed their fate.
Along the way, they wrangle their shared experiences of mysterious and broken familial ancestry—leaping into invented histories and worlds. Mixed inheritances become accountable rites, living kinships and humane symbols. The consequences of Australia’s colonial invasion, with its devastation of ecology, First Nations peoples, knowledges, and lifeways, is led into new pastures. Finding themselves driven by the question: how can we finish the stories we need to tell and leave behind a more fertile future?
Flock to it.
The Shepherds is part of the inaugural Australian Dance Biennale.
About the artists
Carly Sheppard (Tagalaka, Chinese, Welsh, Hungarian, Slovakian descendent settler, raised on the unceded lands of the Kulin Nations) is a cross-disciplinary performance artist based in Naarm (Melbourne), working across dance and theatre making and performance, sculpture, drawing, writing, voice, and installation. Her practice navigates complex narratives of intersecting race, class, mythologies and identities we inherit and how meaning is created and processed through prisms of colonial interruption. Carly’s work reflects her fascination with the chaos of conflicting cultural paradigms.
Carly’s career and practice have been platformed and nurtured through invaluable artist initiatives run by BlakDance, British Council, Australia Council for the Arts, ILBIJERRI and more. Carly’s formal training includes Careers In Dance at NAISDA Dance College and a Bachelor of Dance at Victorian College of the Arts. Carly’s recent performance credits include Chase (A Daylight Connection), A Nightime Travesty (A Daylight Connection), Set Piece (Anna Breckon and Nat Randall), Considerable Sexual License (Joel Bray Dance), Anthem (Performing Lines and Arts Centre Melbourne) and Love (Dee and Cornelius).
Alisdair Macindoe
Alisdair Macindoe is an independent multidisciplinary choreographer living on unceded stolen Woi Wurrung country. With an interest in extending the boundaries of choreographic practice, Alisdair’s work spans dance, sound, electronics, coding and text. Recent works have seen him explore automated dance and Artificial Intelligence; new technology for music expression; trans-humanism; waste and climate change; and identity in the age of narcissism.
Alisdair’s independent and collaborative work has been commissioned and presented widely, including Plagiary (2024 - Now or Never Festival & Unwrapped, Sydney Opera House. 2025 - Noorderzon Festival), DULL BOY (2024, Part of Three, Australasian Dance Collective, Ohm Festival @ Brisbane Powerhouse), PROGRESS REPORT 2025, 2023 & 2021, with co-director Alison Currie for Vitalstatistix, Frame Biennial @ The Substation & INDance @ Sydney Dance Company), and MEETING (2015, with co-creator Antony Hamilton, commissioned by Arts House, presented across 35 international seasons).
Alisdair has received 6 Greenroom awards; an Australian Helpmann Award, and a New York Performing Arts Award ‘Bessie’. He was the 2019 Resident Director for Lucy Guerin Inc; the 2019 Ausdance Peggy Van Praagh choreographic Fellow; the 2020 Dancenorth NO-SHOW choreographic resident; a 2020-21 Sidney Myer Foundation Creative Fellow and a recipient of the 2022 Chloe Munro Mid-Career Fellowship.
Artist statement
This isn’t a search for perfect answers. Instead, we find meaning in the small gestures: telling a tale, sharing a choreography, playing inside a scene, adorning a garment, sharing a glance, or building something together out of things we find along the way. Through creating The Shepherds, we are trying to bring our real questions, stories, and vulnerabilities forward—to show how clumsy, heartfelt, and sometimes funny it is to try and create new rituals when the old ones don’t fit.
The Shepherds is our way of reaching out, hoping others recognise themselves in the messiness and wonder of figuring out where you belong.
Artistic credits
Co-Creator, Choreographer, Sound Designer & Performer: Alisdair Macindoe (born on lutruwita, the unceded land of the muwinina people, descendent of Clan Murray & Clan Buchanan, Scotland)
Performer: Karlia Cook (Mā’ohi- Norf’k, Māori (Ngāpuhi))
Performer: Tyrel Dulvarie (Yirrganydji, Dugulbara, Kalkadoon and Umpila peoples)
Dramaturg: Emily Tomlins
Visual Designer (Staging & Costumes): Jonathan Oxlade
Production Manager: Emma Holgate
Lighting Designer: Katie Sfetkidis
Composer & Sound Designer: Lawrence English
Assistant Visual Designer & Development Performer: Geoffrey Watson
Producers: Stella Webster & Jason Cross, Insite Arts
Details
World Premiere
Presented by Arts House and RISING
Friday 5 – Sunday 7 June 2026
Fri, 8pm
Sat, 2pm & 8pm
Sun, 2pm & 6pm
70 mins, no interval
Post-show artist talk for all ticket holders
Sat 6 June, 2pm show
Auslan Interpreting
Sun 7 June, 2pm
Available on request – book by Thu 28 May
Tactile Tour & Audio Described
Sun 7 June, 2pm
Available on request – book by Thu 28 May
Tactile Tour 1pm
Tickets
Standard $49
Reduced $44
BLAKTIX $25
Companion Card Free
A small transaction fee will be charged per order.
Tickets on sale Mon 16 March, 12pm AEDT
Warnings
Suitable for audiences 15+
This performance of The Shepherds explores themes of colonial violence against Australia’s First Nations people. It contains adult themes, violence, triggering content, coarse language, smoke effects and haze, high pitched frequencies, loud music, very loud sound effects, sudden loud noises, flashing lights, abrupt lighting changes including colours and intensity, and black out.
An Access Guide will be available for download prior to the event.
Arts House
North Melbourne Town Hall
521 Queensberry St
North Melbourne
Supported by –
The Shepherds was commissioned and funded through the Sidney Myer Creative Fellowship Alumni Commissioning program. The project is supported by the Australian Government’s Major Festivals Initiative, managed by Creative Australia, its arts funding and advisory body, in association with the Confederation of Australian International Arts Festivals Inc, RISING, and Sydney Festival; and the City of Melbourne through Arts House.
The development of this project was assisted through venue support from The University of Melbourne Arts & Culture (UMAC); Merribek Council Coburg Courthouse Residency; and The Australian Ballet.
Image Credit: Tiffany Garvie
Image Description: A wide landscape photograph shows two people standing side by side in the centre of a dry, open paddock. Both figures are directly facing the camera, standing upright on tall black hoofs (platform high heels). The person on the left wears a white long-sleeve top and loose white pants gathered at the calves, with black leggings and a wide dark belt around her waist. The person on the right wears a white long-sleeve shirt with a black vest and loose black pants, along with white socks. His face is covered by a white mask that looks like a dog’s skull.
















